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In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

A sensory and poetic experience where fantasies and dreams clash with the constraints of everyday life, Chronique d'une ville questions our relationship with the bustling metropolises developing around us at a sometimes elusive pace. Magnetic and impenetrable, with their incessant flow, they attract us as much as they confine us. This film, with its immersive soundtrack, patient camerawork, and meticulous editing, takes us through the streets and winding alleys of Mexico City, Tokyo, and Montreal, where millions of individuals coexist, both alone and surrounded by others. Nadine Gomez reveals several characters whose stories intersect and echo each other, while also giving a voice to these cities that transform us as much as we transform them.

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

《伯尼克的幻想》是一部引人深思的心理剧情片，围绕着一对年轻兄妹伊丽莎和马修的复杂关系展开。二十出头的伊丽莎对她的兄弟马修怀有禁忌的情感，尽管马修已经有了女朋友。他坚定地拒绝了伊丽莎的求爱，陷入了一场家庭与道德的困境。伊丽莎无法摆脱她内心的挣扎，决定对马修施展一个小计谋，以此来发泄她的情感。她的行为不仅让他们的关系变得更加复杂，还将整个家庭推向了情感的漩涡。@刀刀影视库